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Pulp Nonfiction  

“Zippy” creator Bill Griffith’s new book Invisible Ink is a curious masterpiece, merging the real-life personal saga of his mother with the story of the forgotten pulps.



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Choosing War  

By reframing war in terms of “moral injury,” philosopher Nancy Sherman dodges the question of who is responsible for its horrors in the first place.



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Who Owns the GOP?  

Jane Mayer’s Dark Money is a magisterial portrait of the right-wing billionaires who have “weaponized” conservative philanthropy and pulled the GOP ever further right. Yet Mayer’s account fails to explain something just as alarming: the far-right surge from the grassroots.



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Socialism in America  

If Bernie Sanders’s presidential run is to herald a new socialist movement, American leftists will have to overcome the combination of sectarianism, repression, and cooptation that doomed their predecessors.



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A Book as Big as Life  

City on Fire—Garth Risk Hallberg’s massive and elaborately constructed novel about New York in the 1970s—offers the contours of the great social novel. But it struggles to reveal the ways in which power actually works.







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Republic of Labor  

At its most radical, labor republicanism envisioned not only freedom from wage slavery but cooperative self-organization. It also challenged women’s domination in the home—something Alex Gourevitch’s new history misses.







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Surreality TV  

In his new book, Peter ​Pomerantsev depicts Russia as a place that has descended into a madness fed by the television programs that it itself inspires. But a crucial element is missing.









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Kill Your Idols  

Sonic Youth’s DIY ethic couldn’t sustain itself in the face of a corporate world eager to market youthful anger like any other commodity. But Kim Gordon’s remarkable new book shows that no matter how institutionalized it became, punk offered a radical way of seeing the world.