Black Actors Off Broadway  

Peter Weiss writesat the edge of the bearable. Marat/Sade, his best-known play, assaults us mainly through the perpetual motion and emotion of a background of actors imprisoned in lunacy. Weiss’ scenic directions emphasize their shock function: “Their presence must set …







In Defense of Resistance  

If anything troubles me in Michael Walzer’s thoughtful discussion of civil disobedience, it is the suggestion that those who use civil disobedience may “have to give way,” because they may be hurting the antiwar movement. I don’t believe that civil …











Nechayev in the Andes  

“The emancipation of the working class is the work of the working class itself,” wrote Marx and Engels in the Communist Manifesto. One of the tragic paradoxes of the Marxist movement has been that impatient revolutionaries—appalled by the sluggishness of history …