Pascal Brucknerï¿½s embarrassing anti-anti-American diatribe (ï¿½The Paradoxes of Anti-Americanism,ï¿½ Summer 2006) starts out by reminding us of some things that most of us thought we knew. For one, that visceral antipathy to America and Americans is widespread around the world these days. For another, that these attitudes often coalesce into worldviews that resist nuance or revision in the face of evidence.
If this were the extent of matters, Brucknerï¿½s message would amount merely to old news. But his remarks quickly devolve into sweeping and unsubstantiated paeans of praise for Americaï¿½s role in world affairsï¿½and ultimately for the moral superiority of American valuesï¿½that provide a mirror image of the mindless anti-Americanism he loathes. Combined with this is an equally categorical hymn of hate against Europeans who fail to salute Americaï¿½s missionary self-image and the resulting repercussions in world affairs. By the time itï¿½s all over, weï¿½re hearing the echo of American neoconservatism from across the Atlantic.
Bruckner detests European critics of America, he tells us, because their stance pays no heed to fact or reasoned analysis. ï¿½[A]nti-Americanism is an autonomous discourse of its own,ï¿½ he notes. ï¿½It feeds on itself and is emancipated from reality: an event doesnï¿½t shake it but confirms or reinforces it even when the event seems to contradict it.ï¿½ Fair enough; political visions of every description all too often work that way. But then Bruckner goes on to exemplify these shortcomings by his own wild swings with the broadest of brushes. Here is how he characterizes the views of his adversaries: ï¿½America is the bad Europe, colonizing and arrogant; her dissolute, illegitimate daughter who brings together all the negative traits of her parent countries.ï¿½
For statements as gamy as this, a bit of substantiation might seem in orderï¿½both as to who actually espouses such views and where they go wrong.
But when he starts extolling Americaï¿½s alleged virtues, Bruckner soars into a world of pure fantasy. His cloying words would bring a blush to the cheeks of Nancy Reagan. ï¿½What is it that seduces us about American culture, popular or elitist?ï¿½ he wonders. Among other things ï¿½. . . it has faith in the perfectibility of man, a cult of the ordinary hero . . . trapped in a difficult situation and forced to get out of it with only courage and will as weapons.ï¿½ By this point, Iï¿½m scratching my head, wondering what works Brucknerï¿½s been reading or watching. ï¿½America remains carried away by a meliorist optimism,ï¿½ he continues, ï¿½while Europe combines an idealism in international relations (peace, tolerance, dialogue) with pessimism about change.ï¿½
The ï¿½meliorist optimismï¿½ that Bruckner cites is apparently wha...
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