Permission to Imagine
A new collection of Stuart Hall’s writing offers a guide to the limits of representation in building anti-racist politics.
A new collection of Stuart Hall’s writing offers a guide to the limits of representation in building anti-racist politics.
Academia once seemed to provide an escape from capitalism. Two new novels question the very concept of refuge itself.
A new art project uses the legal system of mineral rights as a means to block oil and gas extraction.
Adam Curtis’s latest film paints a picture of the world that is so complex, so dense, and so theoretical that the prospect of real change appears nearly impossible.
The late Czech writer Bohumil Hrabal said his style was a “defense against politics.” But by collecting and describing the debris of life, he made the everyday seem mythic and earned the affection of the dissident movement.
To understand how NXIVM’s members went from the pursuit of professional success to facilitating and enduring horrific wrongs requires examining the world of contemporary business from which the cult emerged.
Burnout is not a problem we can individually solve. It is a symptom of a world set up to exhaust us to the point where we cannot resist.
The 1974 romance Claudine is one of the few true depictions of working-class life in a decade of great films that rarely addressed the topic.
America’s trail systems embody a conservationist ethic in support of leisure. Their construction was the essence of public work: not for profit but a common good.
Both romantic and working relationships are under extraordinary pressure. Can we seize this moment to reclaim our hearts from our jobs?
Once a major influence on Jair Bolsonaro, Olavo de Carvalho’s ambition is to establish a new right-wing, nationalist cultural hegemony in Brazil.
Right-wing TikToks are part of a counter-movement of younger conservatives fighting the rise of leftism and their own feeling of erasure.
The afterlife of The Romance of American Communism shows that no political movement ever really ends. We bear the weight of dead generations—and sometimes living ones, too.
The glowing praise for the redesigned MoMA’s embrace of diversity masks deeper historical problems.
In recent depictions of the Troubles in Northern Ireland, we find not the blast sites of the conflict but the domestic spaces that absorbed the fallout.